Subject: [removed] Digest V01 #83
From: <[removed]@[removed]>
Date: 3/13/2001 12:53 PM
To: <[removed]@[removed];

------------------------------


                      The Old-Time Radio Digest!
                         Volume 01 : Issue 83
                   A Part of the [removed]!
                           ISSN: 1533-9289


                           Today's Topics:

 New edition of The Great Radio Heroe ["Stephen A Kallis, Jr." <skallisjr@]
 Re: Mysteries in the Air             ["G. S. Cole" <gscole@[removed];]
 The Gentler Gender                   ["Stephen A Kallis, Jr." <skallisjr@]
 Costello's Daughter                  ["Stephen A Kallis, Jr." <skallisjr@]
 FM and TV                            ["Stephen A Kallis, Jr." <skallisjr@]
 Old Recording - Wilbur Sweatman      ["Kevin Pearson" <ktrek@[removed]]
 Re: "Of Mikes and Men"               [Elizabeth McLeod <lizmcl@[removed]]
 RE: December Bride                   [Jack Harris <jack@[removed]]
 Re: December Bride                   ["Gerald D. Wright" <gdwright@atdial]
 Mary's lines                         [JackBenny@[removed]                  ]
 December Bride                       ["Richard Pratz" <[removed]@home]
 selected shorts                      [leonardfass@[removed] (Leonard Fass]
 FRED FLINTSTONE IN OTR???            ["David Phaneuf" <dphaneuf@[removed]]
 Re: radio dials & other delights     [MoondanceFF@[removed]                ]
 Re: OTR women!                       [MoondanceFF@[removed]                ]
 Jack Benny theme                     ["A. Joseph Ross" <lawyer@[removed].]
 Of Brides and Badges                 [KENPILETIC@[removed]                 ]
 Re: Old Recording (Wilbur Sweatman)  [GEORGE WAGNER <gwagneroldtimeradio@]
 MacDonald Carey                      [ChibiBarako <cvc@[removed];           ]
 NY POST TO PUT ALL ARCHIVES ON LINE! [GEORGE WAGNER <gwagneroldtimeradio@]
 Batman                               [Steven Napier <otrfan@[removed]]
 Re: Wilbur Sweatman                  [Jshnay1@[removed]                    ]
 Jeapordy catagory                    [K <khowdy@[removed];              ]
 Staring at the radio                 [George Aust <austhaus1@[removed]]

------------------------------

Date: Mon, 12 Mar 2001 14:36:24 -0500
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  New edition of The Great Radio Heroes

Stephen Jansen noted,

I posted a few days ago about the new release of the book "The Great
Radio Heroes" by Jim Harmon.  This is the revised edition, however, I do
not have the original 1967 copy to compare this to.  <snip> 18 Chapters
featuring  I Love A Mystery, Gangbusters, The Shadow, scary shows, comic
book heroes, Tom Mix, Radio Premiums, Detectives, Newsmen, soap opera
heroes, Lone Ranger, Sgt Preston, Green Hornet, Capt Midnight, Jack
Armstrong, comedy heroes, american indian
heroes, and more mysteries by Morse. <<

The original was/is 15 chapters, featuring I Love A Mystery, Carleton E
Morse, The Shadow, Inner Sanctum (and others), comic book heroes, Tom
Mix, Radio Premiums, Detectives, Newsmen, soap operas, The Lone Ranger,
Sgt. Preston, Green Hornet, Aviators, Jack Armstrong, and an Afterword.
No photos.  No index.   It was/is 263 pages long.  However, without
knowing book size, word count per page, and the like, I've no idea
whether he dropped items to make space for the new stuff, etc.  Also, the
"Captain Midnight" chapter could be much the same as the old aviators
chapter, titled, "Aces of the Airwaves," which started with Captain
Midnight, but also included others (Hop Harrigan, Sky King, etc.).

I intend to get a copy eventually, but I haven't seen it yet.
Regrettably,  this truncates anything much I can say on the new version,
but in the light of the threads on "accuracy in books," I can say
something about the original that _might_ extend to the revised edition.
The original is a wonderful nostalgia trip, but it didn't appear to be
written as a scholarly text.  I took it to be intended to introduce the
old radio days to newcomers and stir fond memories among older readers.
I've read my first edition many times, and even when I find something
that doesn't track with any research or memory I've got, it doesn't stop
me from enjoying the book.  However, I accept it as nostalgia, not as a
primary reference.

To take an example I'm very familiar with, in the "Aces of the Airwaves"
chapter, Jim Harmon writes in his first version that in the Big Little
Book adaptation of the radio show, Chuck Ramsay, Joyce Ryan, and Major
Barry Steele were the prisoners of The Barracuda.  Troops were coming to
get them from their cell during the middle of the night, but as they were
approaching, and a tower clock was stroking 12, the sound of an airplane
could be heard.  Then he writes,

        "'Captain Midnight!' the three members of the Secret Squadron
yelled out together.
        "Yes, high above in the black sky, it was the _Sky King_, the
plane of Captain Midnight."

However, in the book he cites, the actual incident was, after the drone
of a number of low-flying planes was first heard,

        "'Listen! Listen!' Chick cried
        Seven -- eight
        "'What's that?' Colonel Goto asked, with a tremor of rage in his
voice.
        "Nine -- ten --
        "'It's Captain Midnight!' Major Steele said, incredulously.
        "Eleven -- twelve --
        "'Captain MIDNIGHT!' cried Joyce and Chuck.
        "The Barracuda turned and motioned for Colonel Goto to leave."

Now, notwithstanding that it was a Better Little Book rather than a Big
Little Book, there was no mention of Captain Midnight's airplane, either
in the book or in the radio show it was derived from.  As noted, the
drone in the program and book was from more than one plane -- actually,
quite a number of them.  For that matter, the aircraft Captain Midnight
had been flying at the beginning of the book and program adventure was a
multi-place amphibian that had been shot down by The Barracuda's pilots
after an ambush.  The aircraft Captain Midnight was flying was one loaned
by Chinese forces headed by a Major Sun.  Additionally, Major Steele was
Captain Midnight's superior, but was not a member of the Secret Squadron.

Normally, I wouldn't nitpick, but I did here to bring out the point that
at least the initial offering from Jim Harmon should in no means be taken
as a legitimate reference book.  Have the errors of the first version
been corrected in the second?  I won't know until I get my hands on a
copy.

Stephen A. Kallis, Jr.

------------------------------

Date: Mon, 12 Mar 2001 19:10:10 -0500
From: "G. S. Cole" <gscole@[removed];
To: [removed]@[removed]
Subject:  Re: Mysteries in the Air

Does anybody know anything about a program called MYSTERIES IN THE AIR
now running on our local public radio station?

This seems to be a modern reworking of CRIME  CLASSICS.  The scripts are
by by Morton Fine and David Friedkin. Narrated by David Warner with a
touch of sardonic humor.

I would guess this series was recorded about a decade ago. There is a
live audience as evidenced by occasional bursts of laughter.

George S. Cole

------------------------------

Date: Mon, 12 Mar 2001 19:10:07 -0500
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  The Gentler Gender

Lois Culver, commenting on Elizabeth E.'s observation about "no women" in
OTR asks,

What am I, chopped liver?<<

No.  Mrs. Straight Arrow.

The gentler gender is well represented in the hobby.

Stephen A. Kallis, Jr.

------------------------------

Date: Mon, 12 Mar 2001 19:09:58 -0500
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  Costello's Daughter

Duane Kielstrup notes,

Scheduled for a live interview is Chris Costello, Lou Costello's
daughter, on Tuesday night, March 13, at 10:40 Eastern on Yesterday USA
at [removed]. <<

Chris Costello is the author of Lou's On First, her biography of her
father.  It's a book worth a read; I own a copy.

Stephen A. Kallis, Jr.

------------------------------

Date: Mon, 12 Mar 2001 19:09:56 -0500
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  FM and TV

Bill Harris notes, to people receiving TV audio on their FM radios,

You are actually listening to the fundamental frequency of the sound
carrier on [removed] MHz for channel 6. A harmonic is a multiple of the
fundamental frequency, the second harmonic would be on [removed] [removed];<

The FM band lies between Channel 6 and Channel 7.  Some radios made
outside the [removed] have a wider frequency range wider than domestic.  With
some radios, you may be able to hear both channel 6 and channel 7 sound,
though two adjacent TV channels are rare,

Stephen A. Kallis, Jr.

------------------------------

Date: Mon, 12 Mar 2001 19:09:53 -0500
From: "Kevin Pearson" <ktrek@[removed];
To: <[removed]@[removed];
Subject:  Old Recording - Wilbur Sweatman

David I found the following below about Sweatman. It appears the "Original
Jazz Band has only two recorded songs:
"Ev'rybody's Crazy 'Bout The Doggone Blues, But I'm Happy" and also
"Regretful Blues" both recorded in March of 1918. He was band leader in 6
other bands as well. Hope this helps!
Kevin
Wilbur Sweatman's musical career reads like the history of African Americans
in popular music. He got his professional start in a circus band, then moved
on to minstrel shows and vaudeville. He led a successful syncopated
orchestra based in Chicago early in the century and made the first recording
of Scott Joplin's "Maple Leaf Rag" in 1903. In the years before World War I,
Wilbur Sweatman lead at the Big Grand Theatre in Chicago (31st Street and
State). He moved to New York in 1913 and was one of the first African
Americans to join ASCAP in 1917. After the success of Original Dixieland
Jass Band, Sweatman jumped on the jazz bandwagon and released dozens of
records in the Teens and 1920s the most famous being "Down Home Rag". He is
remembered less as a jazz musician and more as a great showman. He was
famous for playing at first two then three clarinets at once. Duke Ellington
Sonny Greer, Otto Hardwick, and Coleman Hawkins all played in his orchestra
early in their careers. In the 1930s he was active in music publishing and
was the executor of Scott Joplin's estate. Unfortunately after Sweatman's
death in 1961, Joplin's estate fell into disarray and many unpublished and
original manuscripts were lost. In the 1940s he led a trio at Paddells Club
in New York and continued to play live into the 1950s.

------------------------------

Date: Mon, 12 Mar 2001 19:09:49 -0500
From: Elizabeth McLeod <lizmcl@[removed];
To: <[removed]@[removed];
Subject:  Re: "Of Mikes and Men"

Tom Thomas wonders,

I'm curious whether anyone is familiar with
this book, and if it is accurate, or whether it's only loosely based on
radio of that period.  The radio station is KUKU in Portland, Oregon.  That
name, and a description of the station manager beating the phone company out
of installation and connection charges by stringing cable through the sewer
for a remote broadcast make me wonder.  Is it intended to be more
entertainment - which it definitely is - or is it factual.  I'm having
trouble with the cable story, but I've learned of many strange things
before.

This is an interesting book-- while not a historic treatise, it does
present a reasonable portrayal of small-time radio circa 1930. But there
was no station KUKU -- these calls were, in fact, used by humorist
Raymond Knight on his satirical "KUKU Hour" program on NBC during the
early thirties.  Woodfin has changed the name of the station -- and
perhaps other details -- to protect the innocent. However, she has left
certain clues that make it possible to deduce where she really worked.

Woodfin's "KUKU" had been part of the "Golden West Network" but was not
affiliated with any of the major networks. This rules out KOIN (a CBS
affiliate), and KGW and KEX (NBC affiliates.)  "Golden West" is clearly
not the KMPC/KSFO "Golden West Network" of the 1940s and later --
instead, it can be deduced that the network was actually the original
American Broadcasting Company, a Seattle-based regional network which
existed from 1927 thru 1930. It is mentioned that "Golden West" was in
deep financial trouble in 1930, and eventually folded -- precisely
fitting what actually happened to the 1920s ABC.

Woodfin was still working at the station in question in 1951, according
to her biography on the dust-jacket flap of the book. By examining
various listings of Portland stations and comparing them with the factual
nuggets Woodfin offers, it appears that station KWJJ was in fact the
station described in the book -- a station which was when I last checked
still alive and well at 1080 on the AM dial. KWJJ had been an affiliate
of the ill-fated west coast ABC in the late twenties, and is the only
Portland station to fit all of the various other clues offered by
Woodfin.

I really got a kick out of this book. When I first read it,in the
mid-eighties, I was working at a dying 1000-watt AM station, and my
situation was eerily similar to that which Woodfin describes. On more
than one occasion, I too was paid in barter -- once I was told to go into
the production studio and help myself to an Akai reel-to-reel tape
recorder, because there was no money to pay me. On another occasion, I
stood by waiting for the station owner to convince his mother to sign her
social security check over to him in order to cover my salary. And there
was another incident in which a deputy sherrif took the owner away in
handcuffs on several charges of negotiating worthless instruments, after
we of the station staff decided that we had finally had enough. Toward
the end, one of our salesmen -- who had a second job as a professional
gravedigger -- took to carrying a revolver, figuring force might be
necessary to ensure that he would be the first to get paid each week. So
while some of the incidents described by Woodfin appear farfetched, I can
testify from experience that there are few things on earth that are
cheesier than a struggling smalltime radio station -- and it has ever
been so. Nothing Woodfin describes is too exaggerated for me to believe.

Elizabeth

------------------------------

Date: Mon, 12 Mar 2001 19:09:47 -0500
From: Jack Harris <jack@[removed];
To: [removed]@[removed]
Subject:  RE: December Bride

I am afraid Frosty you will have to eat the [removed];G>....The show was on
CBS from 6/8/52 to 5/27/53.  Starring Hal March and Spring
Byington.  Byington of course went on to star in the tv series from 10/4/54
to 9/24/59.  According to Hickerson there are 4 radio shows available.  I
too remember the tv show and would love to see them aired [removed]

Jack

for dive videos, computers and astronomy
visit [removed]

------------------------------

Date: Mon, 12 Mar 2001 19:09:45 -0500
From: "Gerald D. Wright" <gdwright@[removed];
To: [removed]@[removed]
Subject:  Re: December Bride

Yes, December Bride was on the radio from June 8, 1952 to Sept. 6, 1953,
originally as a summer replacement in the Jack Benny time slot. It
starred Spring Byington as Lily Ruskin, Doris Singleton as Ruth Henshaw,
Hal March as Matt Henshaw, and Hans Conried as Pete Porter. The show
made it's first appearance on television in 1954. -- Source: John
Dunning's On the Air: The Encyclopedia of Old-Time Radio.

Gerry Wright
ZoneZebra Productions
San Francisco

------------------------------

Date: Mon, 12 Mar 2001 19:09:43 -0500
From: JackBenny@[removed]
To: <[removed]@[removed];
Subject:  Mary's lines

It is true that Mary was recording at least some of her appearances from
home.  I recently heard a show where you could pretty clearly hear that
Mary's voice was in a different "environment" (flatter sound, less echo).
The laughs were still good, and the editing was quite impressive, maintaining
the proper timing.  However, I took note that the writers seemed to be
crafting her lines with the consciousness of her absence.  She seemed to have
fewer, shorter lines and fewer overall jokes.

There are two versions of the 5/22/55 show circulating, one with an actress
portraying Mary and one with Mary's voice inserted.  Joan may have filled in
sometimes (I've also heard that Jack's secretary would read them from time to
time), but it doesn't sound like her in that final show.

--Laura Leff
President, IJBFC
[removed]

[removed]  By the way, I'm a woman in OTR as well.  Just ask my husband.

------------------------------

Date: Mon, 12 Mar 2001 19:09:40 -0500
From: "Richard Pratz" <[removed]@[removed];
To: "OTR (Plain Text Only)" <[removed]@[removed];
Subject:  December Bride

Frosty asked if December Bride was on radio. How do you like your crow,
medium or well done? I can see everyone racing to their Dunning encyclopedia
now!! I'll try to keep it short, but if Frosty can obtain Dunning's "On The
AIr" the Encyclopedia of Old Time Radio, he'll find it all spelled out in
detail on page 196. As much as I don't like copying from Dunning and merely
passing it [removed]'ll just paraphrase;  The radio sitcom aired in '52 and
'53 and was, at one point, a summer replacement show for Jack Benny. As
later on TV, Lily Ruskin was played by Spring Byington. The radio show also
featured Doris Singleton, Hal March, Hans Conreid, John Brown & Alan Reed.
I like Dunning's quote - "On a smaller scale, December Bride did for
mothers-in-law what Eve Arden did for schoolteachers in Our Miss Brooks:
made them human."

------------------------------

Date: Mon, 12 Mar 2001 22:20:13 -0500
From: leonardfass@[removed] (Leonard Fass)
To: [removed]@[removed]
Subject:  selected shorts

heard in [removed] on sat at 8:00 pm on kqed-fm

keep on keeping on
[removed]

------------------------------

Date: Mon, 12 Mar 2001 22:49:16 -0500
From: "David Phaneuf" <dphaneuf@[removed];
To: <[removed]@[removed];
Subject:  FRED FLINTSTONE IN OTR???

Been listening to some Life of Riley tapes and the voice of one of the
actors sounds an awful lot like the voice of Fred Flintstone.  I've not been
able to catch the name of the actor, who plays a variety of parts: Riley's
father-in-law in one episode, the father of Junior's girlfriend in another,
and <I think> his boss at the plant in another.

Anyone know if this is the same actor, what his name is, and what other
acting he did?   It seems to me I've heard that voice in several other OTR
programs, though I don't recall which ones.

Dave Phaneuf

------------------------------

Date: Tue, 13 Mar 2001 00:00:28 -0500
From: MoondanceFF@[removed]
To: [removed]@[removed]
Subject:  Re: radio dials & other delights

In a message dated 3/12/01 12:56:32 PM, Stephen K. writes:

<< Umm ... the dials in out house glowed steadily, if they glowed at all. >>

See? On no other e-group would we be having this gentle discussion on this
subject! Thanks for the wry smiles. Now, of course I knew someone would
comment that the glowing dial didn't generally "flicker", but ours did. We
were in Fairbanks, Alaska, circa1952, in the dead of a long 60-below winter
(shades of Sam McGee!) with no sunlight all day, the huskies were howling at
the aurora borealis flashing overhead, which phenomenon probably caused the
fading in & out of the electricity & the radio signal from "Outside", as we
called the lower 48.

Cheers!--Elizabeth E.

------------------------------

Date: Tue, 13 Mar 2001 00:00:30 -0500
From: MoondanceFF@[removed]
To: [removed]@[removed]
Subject:  Re: OTR women!

In a message dated 3/12/01 12:56:32 PM, Lois writes:

<< What am I, chopped liver? >>

I hear a New Yorker amongst us! Hooray! Greetings, Lois, Diane & Mary Anne!

--EE ;o)

------------------------------

Date: Tue, 13 Mar 2001 00:00:32 -0500
From: "A. Joseph Ross" <lawyer@[removed];
To: [removed]@[removed]
Subject:  Jack Benny theme

Date: Mon, 12 Mar 2001 01:09:40 -0500
From: JackBenny@[removed]

During the interview itself, he said that the opening theme of the
program was "Hooray for Hollywood".  ... He stood by his statement,
noting that he had heard it hundreds of times.

Of course he had.  "Hooray for Hollywood" was the closing theme.  "Love in
Bloom" and "Yankee Doodle Dandy" was the opening theme.  But, so far as I
can tell, this was only true with the Lucky Strike shows.  They had a
different opening before that.

The memory is the second thing to go.  I forget what the first is.


 A. Joseph Ross, [removed]                        [removed]
 15 Court Square                     lawyer@[removed]
 Boston, MA 02108-2503      [removed]~lawyer/

------------------------------

Date: Tue, 13 Mar 2001 00:00:34 -0500
From: KENPILETIC@[removed]
To: [removed]@[removed]
Subject:  Of Brides and Badges

Hi Gang -                         Monday - March 12, 2001 - 10:40 PM cst

In issue 82, Froty Povick wonders whether DECEMBER BRIDE
was on radio before it was on Television.

According to Dunning, DECEMBER BRIDE was on radio from
June 8, 1952 through September 6, 1954.   Not knowing when it
was on TV, I can only state that it may have been on radio before,
after, or during the time it was on television.  In any event, it was
definitely a radio program as well as a TV program.

In the same issue, MoondanceFF mentions "aural memories".
Sometimes the memories are not remembered correctly.

For example:
I heard the famous line:  "Badges?  We don't need any stinking
badges!" repeated on radio many times, long before I finally saw
a videotape of "Treasure of the Sierra Madre".  I'm not much of a
movie-goer - but that line has been made famous in audio history,
even without the picture.

Unfortunately, the actual line was: "Badges?  We ain't got no badges.
We don't need no badges.  I don't have to show you any stinkin' badges."
(1:08 into the tape).    So much for aural "memories".

See you in Cincinnati -- Ken Piletic - Streamwood, Illinois
kenpiletic@[removed]

------------------------------

Date: Tue, 13 Mar 2001 00:23:26 -0500
From: GEORGE WAGNER <gwagneroldtimeradio@[removed];
To: [removed]@[removed]
Subject:  Re: Old Recording (Wilbur Sweatman)

     Wilbur Sweatman was an East Coast Afro-American
bandleader in the late 'teens and early 1920s.
     He's not very highly regarded by most jazz
musicologists - their loss, I think. I believe
Sweatman led a truly great band, but it was more
ragtime than true jazz.
     The young Edward "Duke" Ellington worked for
Sweatman in the early 1920s.
     Oh, and this - as part of his stage show,
Sweatman used to play two clarinets at once!

     George Wagner (who has trouble using two hands at
once)
     GWAGNEROLDTIMERADIO@[removed]

------------------------------

Date: Tue, 13 Mar 2001 00:51:29 -0500
From: ChibiBarako <cvc@[removed];
To: [removed]@[removed]
Subject:  MacDonald Carey

I've heard several references (including his autobiography) of MacDonald
Carey's radio career.  From one of the earlier posts I gather he was on
Stella Dallas at one point.  Does anybody know what other productions he
was in -- preferably recurring rather than one-offs? (It might even be
enough to convince me to learn how to download sound files ...)

(Of course, I know him best as the voice of the sands through the
hourglass ... ;-)

Cynthia

------------------------------

Date: Tue, 13 Mar 2001 01:07:07 -0500
From: GEORGE WAGNER <gwagneroldtimeradio@[removed];
To: [removed]@[removed]
Subject:  NY POST TO PUT ALL ARCHIVES ON LINE!

     Radio historians will want to note that the NEW
YORK POST will soon put ALL of its archives on line -
clear back to the founding in 1801!
     Just enter "Two Centuries of NY Post Archives to
Hit the Web" into Google or Yahoo, and it should bring
up a complete article on this development.

     George Wagner
     GWAGNEROLDTIMERADIO@[removed]

------------------------------

Date: Tue, 13 Mar 2001 09:28:55 -0500
From: Steven Napier <otrfan@[removed];
To: [removed]@[removed]
Subject:  Batman

Lots of great information here. This is my first post and I hope its just text
now so it gets through.
My favorite comic growing up was Batman. I know Batman was in the Superman
show a couple times but I want to know if there was ever a Batman series where
he was on his own.

------------------------------

Date: Tue, 13 Mar 2001 09:28:53 -0500
From: Jshnay1@[removed]
To: [removed]@[removed]
Subject:  Re: Wilbur Sweatman

It's not really OTR, but Wilbur Sweatman was a clarinetist and band leader
for nearly four decades. In 1906 the band made a cylinder recording of
"Maple leaf Rag" for the Metropolitan Music Store in Minneapolis. His later
recording history dates from 1916 to 1935. Most of those disks were made for
Columbia. If those were Victor pressings, they were made on April 29, 1930,
the only date he recorded for RCA.

------------------------------

Date: Tue, 13 Mar 2001 09:28:51 -0500
From: K <khowdy@[removed];
To: [removed]@[removed]
Subject:  Jeapordy catagory

I like quiz shows, while watching Jeapordy the other night, I thought of a
OTR category for the show.  Radio Ands ( old radio shows that have "and"
in the title   Amos and ---,  ---- and Molly, Lum and ---, --- and Albert,
Myrt and ---).  Perhaps the readers could come up with some others, or
perhaps some other OTR categorys.

Keith

------------------------------

Date: Tue, 13 Mar 2001 13:47:36 -0500
From: George Aust <austhaus1@[removed];
To: [removed]@[removed]
Subject:  Staring at the radio

For the past couple of years I have been reading various posts regarding
how people  used to look at the radio while they listened. Based on my
own experiences I don't think that there is any great mystery involved
nor do I think that it has much to do with lighted dials, green tuning
eyes, or the glow from lighted tubes. I think it strictly had to do with
the content of what one was listening to.
If you were listening to a light music program or say Lum and Abner or
Duffy's Tavern you probably did not look at the radio at all, but
continued on with your homework or work on a model airplane while you
enjoyed the programs. But if you were listening to something that really
involved you in some way chances are that you would stare at the radio
at as a point of concentration (after all thats where the sound is
coming from) It might be a mystery show, or War of the Worlds, or a news
report that really grabbed you and you needed to concentrate on what was
being said. I can't imagine, for example, listening to a report on the
Pearl Harbor attack coming over the air while you continued with your
knitting. You'd look at the radio!
By the way, we have a fire in the fireplace in our family room most
nights during the winter and I seldom look at it. Just enjoy its warmth.
Of course it's a gas log. Maybe it it were a would fire burning we'd
stare at it I don't know.
By the way My wife and I got a big laugh out of Laura Leff's glider
story,but I don't know whether to believe it or not.

George Aust

--------------------------------
End of [removed] Digest V01 Issue #83
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